Danielle Evans’s The Office of Historical Corrections: A Novella and Stories
Often her protagonists aren’t readily likable—they have good intentions and do or try to do mostly good things, but they are flawed. It’s the aim of Evans’s writing to create characters that are as flawed and sometimes as unsavory as the typical human being—if there is such a thing. Other characters don’t realize just how defective they are.
You can read my review of Danielle Evans’s The Office of Historical Corrections: A Novella and Stories in The Brooklyn Rail by clicking the image below.
You can buy Danielle Evans’s The Office of Historical Corrections: A Novella and Stories at Barnes & Noble.
